吉内瓦维·佩吉

　　In a confused welter of artistic licence, this is the classical music biopic which makes 'Song to Remember'look like a masterpiece. Bogarde succeeds in diminishing the reputation of the musical colossus who spanned European music for most of the 19th Century. The absurdities of the plot, the sequoia-like quality of the acting and the prevalence of historical,musical and linguistic anachronisms combine to elevate this offering to the status of an A1 turkey.How a pianist of the stature of Bolet came to be mixed up in this fiasco can only be guessed at. The characterisation of Liszt fails to convey even a minute impression of his magnetic personality and the overwhelming effect that he had on not only his audiences, but also his pianistic rivals.Clara Schumann herself said that 'we toil over that which Liszt reads at sight!' Whilst the emphasis seems to focus on his romantic prowess,rather than his status as the greatest pianist of the century or,arguably, of all time, one feels,nevertheless, that this was an opportunity lost.

　　福尔摩斯因为过分的寂寞，整日注射可卡因，他的好友华生医生强烈反对他这样摧残自己的身体。一天，福尔摩斯接到一封神秘的请帖，邀他去观看苏联芭蕾舞。芭蕾舞演员彼得洛娃，希望和福尔摩斯结合，因为她想要个孩子，还希望孩子父亲的智能与她的资丽能造就个好孩子。福尔摩斯婉言谢绝。几天后，福尔摩斯收到一件奇怪的包裹，里面是在一个被人从泰晤士河中救起的患有健忘症的女人手里找到的，一张写有福尔摩斯住址的纸条。

　　美丽的中产阶级女子塞芙丽娜（凯瑟琳•德纳芙 Catherine Deneuve 饰）拥有一个幸福美满的家庭。身为外科医生的丈夫皮埃尔（让•索尔 Jean Sorel 饰）英俊温柔，收入颇丰，但他却始终无法令妻子得到肉欲上的满足。碍于身份，塞芙丽娜只得通过幻想自己受人虐待和欺凌，并从中得到欢愉。　　无可忍耐之下，她跑到妓院卖身，因为只能在丈夫出诊的这段时间（下午2点到5点）出卖身体，因此她得到了“白日美人”的称号。从最初的抗拒到完全的解放，塞芙丽娜得到莫大的满足与快感。在此期间，她结识了职业杀手马塞尔（皮埃尔•克莱蒙迪 Pierre Clémenti 饰），后者为白日美人的美艳与神秘所吸引，却也将彼此带入现实与虚幻交错的混乱之中……