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导演：
/Dave Wasson
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自2013年以来，迪士尼频道推出最新系列米老鼠动画，该系列画风不同于以往，简约复古的同时，又被赋予了新颜艺新气息。除米奇、米妮、唐老鸭、黛茜及高飞等常驻角色外，还有许多本不属于这一动画的其他迪士尼经典角色前来客串。在第一二季中，他们被唱歌剧的鲸鱼打扰，弄碎了Cinderella的水晶鞋，踩了野兽的尾巴，撞上了花栗鼠兄弟Chip和Dale的飞船。而在最新季中，他们拯救了SwonWhite的许愿池，无视章鱼肚子里的老木匠Geppetto和小木偶Pinocchio。一些新的角色，如柯基女王也被适时地创作出来，同样也为这一季米老鼠增添了许多精彩！
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/Dave Wasson
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自1928年诞生以来，华特·迪士尼（Walt Disney）笔下的米奇形象历经近百年的发展，已成为世界范围内最著名的卡通人物之一。顽皮可爱同时又聪明睿智的米奇和好朋友们上天入地，经历了无数有趣刺激的大冒险。进入2013年，迪士尼频道竭诚制作出最新一般的米奇系列动画，该系列画风简约复古，又不乏新潮时尚气息。届时，米奇（Chris Diamantopoulos 配音）将和米妮（Russi Taylor 配音）、唐老鸭（Tony Anselmo 配音）、黛茜（Tress MacNeille 配音）、高菲（Bill Farmer 配音）甚至还有皮特（Jim Cummings 配音）等观众们熟悉的好朋友一起，走遍世界每一个角落，讲述一个又一个爆笑可爱的小故事。 米老鼠是迪士尼先生的构思，又是迪士尼先生制作出来的，很多人认为米老鼠出自迪士尼之手，其实不是这样。米老鼠的最初原型是他的设计伙伴伍培·艾沃尔斯（iwerke)执笔设计的。维·史密斯和费洛伊德·戈特佛森创作的米老鼠的故事。米老鼠的形象设计出来以后，迪士尼开始用它来制作动画片。 人气与日俱增的米奇，带着小朋友们进入快乐的世界！
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/阿贝尔·冈斯
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这是史诗片巨匠冈斯的早期作品，原版长达九个小时。 影片讲述一个类似现在电视肥皂剧的故事：铁路工程师从一次车祸中救回一个女孩，把她当作女儿来领养。不料他自己和儿子都对女孩产生好感。为了不让儿子占有她，遂把女孩嫁给了一个富人。但儿子和养女之间有着压制不住的爱情。儿子跟她丈夫发生争执，不幸死亡。老人把儿子的死归咎于养女，不愿再见到她。后来他眼睛瞎了，养女偷偷回来照料他，直至为他送终。 影片的革命性表现在如下方面：开场的火车事故蒙太奇采用快速剪辑，极具震撼力；平庸的剧情中增加了大量文学典故，丰富了内涵；摄影和剪辑均具有一定的形式感，如镜头的节奏跟音乐相吻合，画面中的机器被用作现代化的象征等，开启了“纯电影”的先河。片名指命运的轮回、欲望的轮回，由车轮形象来暗示。
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/内详
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Based on the smash video game series by Double Fine Productions (Psychonauts, Broken Age) and the world originally created by Tasha Sounart, Costume Quest is a funny and mysterious animated series aimed at six to 11-year-olds. The show stars four kids facing off against the dark forces lurking in the shadows of their sleepy town of Auburn Pines. To overcome obstacles and achieve their goals, they must learn to unlock and master the magical powers of super-normal costumes-with each costume comes a new set of transformations and powers.
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/迈克·罗伯茨,丹·奥康纳,Ben Bjelajac,Chris Paluszek
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An astronaut named Gary and his planet-destroying sidekick called Mooncake embark on serialized journeys through space in order to unlock the mystery of where the universe actually ends and if it actually does exist. The show started as a short pilot on a YouTube channel owned by Olan Rogers who became popular for his story telling.
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/吉安尼·阿梅利奥
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罗塞塔（瓦伦蒂娜•斯卡里希 Valentina Scalici 饰）和卢恰诺（朱塞佩•伊拉西塔诺 Giuseppe Ieracitano 饰）是一对相依为命的姐弟，她们的母亲因为逼女儿卖淫而锒铛入狱。此事遭媒体曝光后，两人随后被两个警察送上了去孤儿院的列车。其中一个警察因事先行告退，将姐弟俩托付给警察安东尼奥（恩里克•洛维索 Enrico Lo Verso 饰）独自看护。姐姐背负着雏妓的心理压力，但是弟弟却总是我行我素，两人常常发生争执。安东尼奥总是默默旁观，小心翼翼地呵护着两颗稚嫩的童心。在经历了抢劫、酒店驱逐，学校开除、哮喘疾病等一连串霉运后，安东尼奥似乎跟姐弟俩建立一种亦父亦友的关系，然而一张报纸却让他们的世界陷入崩溃的边缘…… 本片获第45届戛纳电影节评委会大奖。
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/香特尔·阿克曼
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Akerman's Toute une nuit is a collection of vignettes depicting the fancies and dramatic moments of a number of people throughout one summer night. The film has little dialogue and relies on a remarkable series of contrasts for effect: a sultry night of deep, often painful depictions of passion visualized in a stark and grainy manner against the backdrop of a spiritless, bland Brussels. 被认为是仅次于让娜 迪尔曼的该导演另一部杰作
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/安东尼奥·彼得兰杰利
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imdb Plot summary Born in a small town in the countryside surrounding Pistoia, Adriana is an attractive young girl who counts on using her looks to go places in the entertainment business in Rome. Moving to the capital, she works first of all in a hairdressing salon, then in a small cinema where she manages to get a job working in fancy dress. Meantime, she socializes with young men of the upper middle classes, who take her to parties and out on the town with the sole aim of taking advantage of her. Adriana knows their game, but plays along. In the meantime, she meets an agent called Cianfanna, a modest money-grubber who introduces her to a journalist friend of his so he can write an article on her. Having thus launched her career in advertising, Adriana decides to go home to visit her parents. Once home, however, she is distraught to learn of the death of her sister. Returning to Rome, she takes acting lessons, but during one lesson she suddenly faints: she is pregnant, with no idea of who the father of her child is. The days go by and Adriana tries to forget about her pregnancy, while sleeping with an increasingly long list of lovers. And yet, despite the fact these encounters are often less than enjoyable, at one point she actually falls in love: his name is Antonio and he's a decent young man from a respectable family, but still in love with a former girlfriend he is unable to forget…
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/韦恩·克雷默
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供职于洛杉矶移民海关执法局的麦克斯·布罗根（哈里森·福特 Harrison Ford 饰）在一次突袭某制衣厂的行动中抓捕了一名年轻的墨西哥偷渡女子玛利亚（艾莉丝·布拉加 Alice Braga 饰），对方求他帮忙照管自己的儿子。持旅游签证入美的澳大利亚女孩克莱尔（爱丽丝·伊芙 Alice Eve 饰）为在短期内获取绿卡，实现好莱坞明星梦，不得不成为洛杉矶移民署职员科尔·弗兰克尔（雷·利奥塔 Ray Liotta 饰）的短期情妇，这使男友加文（吉姆·斯特吉斯 Jim Sturgess 饰）十分恼火。科尔的妻子丹尼斯（艾什莉·贾德 Ashley Judd 饰）正处理一桩疑似恐怖分子驱逐案，15岁的穆斯林女孩塔斯利玛（莎莫·比施尔 Summer Bishil 饰）因同情9.11劫机犯而被捕。与此同时，麦克斯的朋友，警察哈米德（克利夫·柯蒂斯 Cliff Curtis 饰）深陷家庭危机，却在一桩便利店劫案中面临是否给一名韩国移民新生机会的选择……
导演：
/Jeremy Herrin
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It’s 1974, and Britain has a hung Parliament. The corridors of Westminster ring with the sound of infighting and backstabbing as the political parties battle to change the future of the nation. This House is a timely, moving and funny insight into the workings of British politics by James Graham (Ink, ITV's Quiz) and directed by Jeremy Herrin (People, Places and Things). This much-loved production enjoyed two sold-out National Theatre runs, a West End transfer and national tour as well as being filmed by National Theatre Live. You can watch This House from 7pm UK time on Thursday 28 May until 7pm UK time on Thursday 4 June 2020. It was filmed live on stage at the National Theatre in 2013. The running time is 2 hours 40 minutes with a very short interval. It is subtitled. The play is suitable for ages 14+ with some strong language throughout. -- We hope, as you enjoy this content and the weekly recorded performances, you’ll consider a donation to the National Theatre.
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/史蒂文·索德伯格
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埃琳•布罗克维奇（朱莉娅•罗伯茨 Julia Roberts 饰）是倒霉鬼中的典型。她结过两次婚，但每次婚姻都没有给她带来幸福，反而令她成了一个拖着三个孩子的单身母亲。倒霉的她在遭到一场交通事故后，连志在必得的赔偿官司到最后都输掉了。 为她辩护的律师埃德（阿尔伯特•芬尼 Albert Finney 饰）半是同情埃琳半是因为帮她打输了官司心感内疚，收留了埃琳在他的律师楼里打杂。埃琳的生活算是有了一点保障。在调查一单污水申诉案时，埃琳偶然发现了污水中含剧毒物质，而供水公司确对此敷衍了事。弱女子埃琳决定用她柔弱的肩膀担负起为受污染的数百名居民讨回公道的重担！
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/特伦斯·戴维斯
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镜头聚焦在一个名叫巴德（Leigh McCormack 饰）的男孩身上，巴德很早就失去了父亲，和母亲（Marjorie Yates 饰）以及哥哥一起过着相依为命的生活。整个童年时代在巴德的回忆里都笼罩在孤独和寂寞之中，在学校里，他一个人上课，一个人发呆，一个人回家，还要是不是的提防班上强壮的男生对他的威胁和嘲笑。 回家后，巴德也总是一个人待着，母亲建议他多和朋友们在一起玩，但她并不知道的是，巴德甚至都没有一个能真正称得上朋友的伙伴。巴德整日里将时间花在观察凝听这个世界和胡思乱想上，入夜，可怕的噩梦便会找上门来。就这样日复一日，巴德长大了，当再度回忆这段平凡而又独特的童年时，巴德会有怎样的感受呢？
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/克林特·伊斯特伍德
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约翰·威尔逊是一个有才华但很固执的电影导演，他接受了《非洲商人》的拍摄任务，准备去非洲拍外景。但他真正想做的事情是去非洲猎杀大象，他对影片拍摄的众多问题置之不顾，只一心一意地收集着狩猎的武器，甚至把这笔费用打入影片的预算。青年编剧皮特·维里尔跟他一起去到非洲，刚到达乌干达，威尔逊就开始追逐同一旅馆中的一位女客玛格丽特。玛格丽特心怀恶意，不断在威尔逊面前诽谤维里尔反犹太人。两个男人之间展开了一场“心理较量”，威尔逊逼着维里尔克服“懦夫心理”，一起去狩猎大象，而维里尔苦苦哀求他不要杀害珍贵的野生大象。威尔逊不顾其他猎人的阻止想猎杀公象，他带着黑人猎人基维走了。不久他托人带来口信说在基维的村子找到了更好的外景地，要剧组人员赶去。当一切就绪准备开拍时，威尔逊又消失了，他和基维去猎杀公象，使基维死于非命。这时丛林中的发报机发出了“白猎人，黑心肠”的电文，受到惩戒的威尔逊终于安定下来开拍电影。by:m.yakubd.cc
导演：
/Radványi Géza
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Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends? The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences: an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to "formalism for its own sake" have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
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/Giuseppe Bennati
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Patrick Davenant invites a group of friends to visit a theater inside his villa, a place which later reveals itself as sinister. Within a short time, the guests realize that they are trapped in the villa. A merciless killer then begins to murder them one by one.
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/洛伦斯·约贝特·格拉西亚
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A great spanish cult movie!! This is one of the most astonishing films ever made. It has some scenes that it should be in the history of cinema. Like the filming by Fernando Fernan Gomez of the militias using a big roll of paper to win a positions. Or the begging of the film based on real events. The birth of the director inside the carp where the first cinematographer was showing "the train arriving to the station". Being shoot in really simple way it's amazing the proper use of the audiovisual language. The late Guillermo Cabrera Infante showed this film in a Canadian film festival in Spanish without subtitles when the projection finish the audience didn't move and they ask for seen the film again. The effect of this film in the audience is unbelievable. None a single person that has seen this rare Spanish movie could forget it. Except the main actor Fernando Fernan Gomez who never remember work on it.
