铁路的白蔷薇
导演:
/阿贝尔·冈斯
主演:
剧情:
  这是史诗片巨匠冈斯的早期作品,原版长达九个小时。  影片讲述一个类似现在电视肥皂剧的故事:铁路工程师从一次车祸中救回一个女孩,把她当作女儿来领养。不料他自己和儿子都对女孩产生好感。为了不让儿子占有她,遂把女孩嫁给了一个富人。但儿子和养女之间有着压制不住的爱情。儿子跟她丈夫发生争执,不幸死亡。老人把儿子的死归咎于养女,不愿再见到她。后来他眼睛瞎了,养女偷偷回来照料他,直至为他送终。  影片的革命性表现在如下方面:开场的火车事故蒙太奇采用快速剪辑,极具震撼力;平庸的剧情中增加了大量文学典故,丰富了内涵;摄影和剪辑均具有一定的形式感,如镜头的节奏跟音乐相吻合,画面中的机器被用作现代化的象征等,开启了“纯电影”的先河。片名指命运的轮回、欲望的轮回,由车轮形象来暗示。
欧洲的某个地方
导演:
/Radványi Géza
剧情:
  Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends? The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.  To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.  At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences: an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to "formalism for its own sake" have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.  Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
卡诺亚罪犯
导演:
/费利佩·卡扎尔斯
主演:
剧情:
  一个小组学生乘公共汽车去一个小镇, 为了完成专业实践。 所有人都是朋友, 并且他们决定唱一些现代歌曲, 使其它乘客设法睡觉。 乘客的当中一个生气和呼喊"中止了他们。 但当他们到达镇子, 知道事件以后, 大家对待他们好象罪犯一样。
不道德的审判
导演:
/罗曼·波兰斯基
剧情:
  波利娜(西格妮·韦弗 Sigourney Weaver饰)曾经被一个男子施暴,被蒙着眼的她一直不知道罪人是谁,她的性格也变得神经兮兮。她的丈夫杰拉多(斯图尔特·威尔逊 Stuart Wilson饰)当选委员会主席后回到家中,就发现波利娜有着一些比平时更怪异的举动。她甚至把前来拜访的邻居米兰达(本·金斯利 Ben Kingsley饰)的车子推落山崖,凭着米兰达车里的磁带“死亡和处女”,以及米兰达的气味和呼吸,波利娜坚信,米兰达就是当时对她施暴的元凶。  她发了疯似的把米兰达绑在房间,要和丈夫一起审判这个罪犯。然而,米兰达分明有着确凿的不在场证据,这令丈夫也难以相信波利娜的认定。这一切是波利娜的幻觉,还是确有其事,这场审判会令真相一一浮出水面。
很可能是魔鬼
导演:
/罗伯特·布列松
主演:
剧情:
  该片以回忆的方式记叙了一个忧郁的巴黎青年人努力寻找现代大都市生活的意义和生命的故事。他在宗教,政治中找不到幸福和生活的理由,甚至在他自己身上也找不到。于是他把时间花在两个女人的身上,希望这样能够永久联系在一起。
杀手悲歌
导演:
/罗伯特·罗德里格兹
主演:
剧情:
  这是导演的成名之作,罗伯特自掏腰包拍了这部低成本的黑色电影,结果一炮而红。影片讲述的是一名心狠手辣的罪犯成功越狱后,来到小镇伺机找他的仇家报仇,仇家的手下只知道那个罪犯将武器藏在吉他盒子里随身携带,而从来都没有见过他本人。一名流浪的吉他手(卡洛斯•加拉尔多 Carlos Gallardo 饰)凑巧这时来到小镇谋生,于是,莫名其妙的他就被卷入了一场不知所谓的追杀中。追杀的场面被导演演绎的笑料百出,黑色幽默表现的淋漓尽致。
声陷地中海
导演:
/科斯塔斯·费瑞斯
主演:
剧情:
  十部必看的希腊电影经典之一。如果想了解希腊文化尤其是音乐此片必看。1984年柏林电影节最佳导演银熊奖。  Considered to be one of the most powerful and emotional Greek movies, Rembetiko focuses on the life of an individual woman,a real person and through her personal story, it retells the story of Greece,from 1920 to 1955:the national disaster in Asia Minor,the one million refugees who came to Greece,the World War II,the Nazi occupation,the Civil War.The tragedy and the glory of a nation during the century.And all these bound with the music of rembetiko,the music of the outcasts.Great direction,great performances,great music.A voyage to history of the first half of the 20th century, but also a voyage to the origins of rembetiko.Realistic and dreamy.An original Greek epic.
里斯本之恋
导演:
/保罗·罗沙
主演:
剧情:
  甫成年的朱利歐告別鄉村來到里斯本討生活,無奈工作難尋,只能認份地跟著叔叔學做鞋匠。與年輕而命運相仿的管家伊爾達相戀後,對生存與生活的殘酷命題有了更深刻的體悟……葡萄牙新電影先驅,對當時經濟與社會提出最真摯也最具挑戰性的大膽詰問,有評論認為由此開端的電影浪潮,間接引發了終結獨裁的康乃馨革命。
探戈狂恋
导演:
/卡洛斯·绍拉
剧情:
  马里奥的前妻离开了他,他的深情和挽留似乎已经没有什么用了,与此同时作为导演的他正在排演一场关于探戈的音乐剧,虽然情绪低落外加脚伤,马里奥依然专注于工作。有黑道背景的安杰罗来找马里奥,他希望投资这部作品,为的是让自己热爱舞蹈的情人伊莲娜演上主角。安杰罗是个可怕的人物,马里奥只能同意他的要求,没有想到的是,在充满情欲性感热情的探戈排演中,马里奥与伊莲娜之间爱意丛生。不知是否是安杰罗的安排,在排演的众多演员中,也似乎出现了一位类似杀手的危险人物,马里奥和伊莲娜陷入了爱情游戏的危机中。  所有的故事情节随着音乐剧的排演慢慢展开,台前幕后已然融为一体,剧情和现实在切换间也有了意想不到的结局。
孤注一掷:阿森纳
导演:
/内详
剧情:
  该剧记录阿森纳关键性的2021/22赛季,揭开那些起起伏伏的幕后,由枪手忠实球迷丹尼尔·卡卢亚担任旁白。
公牛
导演:
/鲍里斯·阿科波夫
剧情:
  改编自1997 年在莫斯科郊区发生的真实犯罪故事。苏联解体后,新生的俄罗斯经济发展艰难,犯罪团伙激增。某团伙的年轻头目安东·科比夫,绰号“公 牛”,为了养家糊口,无所不用其极。在一次团伙冲突后,他被警察逮捕。一名莫斯科黑手党头目把他从警察手中救出,作为回报,他必须为黑手党头目做 一件危险的事情。鲍里斯·阿科波夫首次执导长片,讲述一代人的故事,拍出 了张弛有度的戏剧节奏,入围第54 届捷克卡罗维瓦利国际电影节主竞赛单元, 获俄罗斯Kinotavr 电影节大奖及最佳摄影奖。
堡垒小屋
导演:
/豪尔赫·迭伦·阿尔曼德
主演:
剧情:
  Venezuela's economic crisis explodes into riots on the streets of Caracas, as middle-aged Roque heads for the Amazon jungle to revive the abandoned lodge he built during happier, healthier days. As the jungle closes in on him, good friends encourage bad habits and whisper promises of finding gold.
堡垒小屋2020
导演:
/豪尔赫·迭伦·阿尔曼德
主演:
剧情:
  Venezuela's economic crisis explodes into riots on the streets of Caracas, as middle-aged Roque heads for the Amazon jungle to revive the abandoned lodge he built during happier, healthier days. As the jungle closes in on him, good friends encourage bad habits and whisper promises of finding gold.
不安分的狗
导演:
/安娜·卡兹
剧情:
  賽巴斯,三十歲單身漢,有一隻八歲的愛犬相伴。只要他不在,狗狗就會頻頻哀鳴,引起鄰居抱怨,他只好帶著狗去上班,卻因此被公司開除,只能靠打零工度日,過著流浪犬般的人生。當神祕隕石撞擊地球,空氣被污染,離地一百二十公分以上的人,得要靠呼吸器才能行走。幸好賽巴斯早就超前部署,「魯」到沒在怕!他的魯蛇人生會因此而有所轉機嗎?  阿根廷導演安娜卡茲繼2007年成名作品《分手假期》後,再次以精準的影像語言、絕妙的台詞設計,施展冷調黑色幽默,結合末日感軟科幻,在黑白的荒唐人生中提煉一絲安慰。長達三年的拍攝期,正好遇上全球疫情,導演靈機一動,巧妙將大環境變動嵌入這則描繪青年無力感的哀歌,意外讓本片成為一則饒富深意的末世寓言。
人类的呼声
导演:
/佩德罗·阿莫多瓦
剧情:
  一个女人在电话中得知,相爱五年的情人将于第二天与另一个女人结婚,于是她陷入了极度抑郁。
酒鬼奶奶
导演:
/马修·塞维尔
剧情:
  一个有自毁倾向的青少年被寄宿学校停学后回到家中,却发现他的奶奶住进来了,可他压根不晓得他还有个奶奶,这个从天而降的奶奶不仅酗酒成性精力旺盛能将他跟朋友都灌趴下,而且粗俗滑稽天不怕地不怕,甚至老来俏爱卖弄风骚,简直是奶奶中的极品,随之而来的是祖孙之间跨越代沟的搞笑却辛酸的友情故事……
冠军
导演:
/马西耶·巴尔切夫斯基
剧情:
  1940年,波兰冠军拳王泰迪参与华沙围城保卫战的武装部队,华沙被破,他在逃亡法国途中被捕,成为第一批被送往奥斯威辛集中营的战囚。集中营里朝不保夕,纳粹士兵视为游戏的地下拳击赛,成为泰迪为生存而拼搏的重要战争。然而,一次次激励人心的胜利,却让纳粹长官警觉到囚犯的反抗意识,转而强化管制,眼见冲突逐渐升温,获胜已然成为集中营里残酷的生存之路。  波兰新锐导演马西耶·巴尔切夫斯基首部剧情长片,将战后被忽视的华沙拳王故事搬上大银幕,背号“77”的囚犯在三年内赢了40战,他的奋斗故事成为奥斯威辛囚犯幸存者的集体记忆。波兰金奖演员彼得.葛洛瓦兹基透过长时间密集的身体训练,精采演绎波兰影史最“痛”的角色。  “我的爷爷是集中营幸存者,这个故事一直存在我的血脉之中。”――马西耶·巴尔切夫斯基
我们的家园
导演:
/亚历杭德罗·洛艾萨·格里西
剧情:
  气候干燥的玻利维亚高地,一对年迈的、以放牧羊驼为生的克丘亚族夫妇一直在这里过着相濡以沫的生活。但一场多年难遇的大旱灾让他们本就拮据的生活雪上加霜,这不仅威胁到他们自己,还威胁到整个村庄的存亡。夫妻俩的孙子闻讯从城市返回,想让他们与自己一起进城生活,但这对早已习惯乡村生活的夫妻俩来说,又是一个严酷的挑战。两代、三人将以不同的方式看待社会与自然的变化,以及生命的意义。
歇斯底里2017
导演:
/Carlos Meléndez
主演:
剧情:
  A shy and feeble architect is victim of a violent and abusing surrounding. The pressure builds up until he is pushed to the limit of his own humanity
异色国度
导演:
/Kenneth Gyang
主演:
剧情:
  Set in Nigeria, Oloture is the story of a young, naive Nigerian journalist who goes undercover to expose the shady underworld of human trafficking. Unused to this brutal environment, crawling with ruthless traders and pimps, Oloture finds warmth and friendship with Blessing, Linda and Beauty, the prostitutes she lives with. However, she gets drawn into their lifestyle and finds it difficult to cope. In her quest to uncover the truth, she pays the ultimate price - one that takes her to the verge of no return.
遗世避难所
导演:
/瓦狄斯·马里纳基斯
主演:
剧情:
  After Jason (9) is abandoned by his mother at a folk festival, he takes refuge in a forest cabin belonging to a mute loner. A series of circumstances eventually lead them to form a family - something both have lacked for a while.
无人之地
导演:
/Conor Allyn
剧情:
  IFC Films拿下弗兰克·格里罗、安迪·麦克道威尔、乔治·洛佩兹主演,Conor Allyn执导的[无人之地](No Man’s Land,暂译)北美发行权。该片讲述美国与墨西哥边境守卫比尔·格里尔和他的儿子杰克逊在巡逻中,意外杀死了一名墨西哥男孩,比尔试图承担所有责任,但被德克萨斯州的骑兵拉米雷斯识破。杰克逊不得不往南逃,他穿越沙漠和山脉,以寻求死者父亲的宽恕。该片将于明年北美上映。
希斯特斯兄弟
导演:
/雅克·欧迪亚
剧情:
  艾利(约翰·C·赖利 John C. Reilly 饰)和查理(华金·菲尼克斯 Joaquin Phoenix 饰)是一对杀手兄弟,某日,他们接到了一项任务,去暗杀一名淘金者。于是,两个男人火速从俄勒冈前往旧金山,一路上,两个人遇到的麻烦可不少,但他们凭借着智慧和勇气将它们一一化解,最终安全的抵达了目的地。  当他们见到了他们的目标时才发现,这个名叫沃姆(里兹·阿迈德 Riz Ahmed 饰)的男人是一名化学家,他发明出了一种神奇的药剂,可以帮助人们更快速的寻找到金矿的所在。两利相权取其重,艾利和查理当即决定辞去杀手这份工作,转而成为来钱更快的淘金汉,哪知道他们为这个鲁莽的决定付出了沉重的代价。
我是女人
导演:
/Unjoo Moon
剧情:
  埃文·彼得斯出演讲述澳洲女歌手海伦·瑞迪的传记片[我是女人](I Am Woman,暂译)。导演Unjoo Moon,影片聚焦上世纪七十年代澳洲知名女歌手海伦·瑞迪,片名出自瑞迪演唱的同名歌曲,该歌曲曾被选为当时女权运动的主题曲。蒂尔达·格哈姆-哈维饰瑞迪,埃文·彼得斯饰瑞迪的丈夫杰夫·沃尔德,也是她的经纪人。影片将在澳大利亚开机。
洞
导演:
/米开朗基罗·弗兰马汀诺
主演:
剧情:
  上世纪60年代,经济繁荣,意大利富饶的北部正在修建欧洲最高的建筑,而在该国的另一端,年轻的洞穴学家在未受破坏的卡拉布里亚腹地探索欧洲最深的洞穴。比富尔托深渊的底部、地面下方700米处,将首次迎来人类造访。附近的村民没有注意到这群探险者,但波利诺高原的老牧羊人却注意到他离群索居的生活开始与这群人的探险交织在一起。
炭疽第二季
导演:
/丹尼尔·珀西瓦尔
剧情:
  新一季将聚焦2001年美国炭疽攻击事件,该事件是在美国发生的一起从2001年9月18日开始为期数周的生物恐怖袭击。从2001年9月18日开始有人把含有炭疽杆菌的信件寄给数个新闻媒体办公室以及两名民主党参议员。这个事件导致五人死亡,17人被感染。直到2008年最主要的嫌疑人才被公布。金大贤饰演一名擅长微生物学的FBI特工,戈德温饰演一名陆军生物学家,该角色根绝真实人物布鲁斯·艾文斯的经历改编。
再见吧
导演:
/帕科·卡贝萨斯
剧情:
  在第一次圣餐庆祝活动结束后,一个被监管的自由骗子在他的小女儿死于车祸后开始了血腥的复仇之路。
也许明天
导演:
/Samantha Lee
主演:
剧情:
  Alex, is a twenty-something year old creative based in Manila. She is out to most people except her best friend- Jess who she has been secretly in love with since they were kids. When Jess discovers the truth about Alex, they are forced to confront the feelings they have for each other.
原始森林
导演:
/布里兰特·曼多萨
剧情:
  一位摄影师被派去拍摄山上一朵罕见的花,发现了被困在非法伐木者藏匿的妓院中的妇女。现在,他必须竭尽全力拯救他们
是谁来敲门
导演:
/克里斯托弗·迪克
剧情:
  When Fuchs starts his new job as a teacher in a prison school, replacing the old and unconventional teacher Berger against her will, he is forced to confront his biggest fear, triggered by the mysterious, withdrawn inmate Samira.
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