Marc
搜索"Marc"，找到388部影视作品
导演：
/Barthélémy Grossmann
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The film homes in on 18-year-old Alex who’s been a fan of the Arthur fantasy film series since he was a child. When his close-knit group of friends surprises him with trip to an abandoned house where the film was shot, they unwittingly walk headlong into a twisted, mortal trap. What was once a childhood dream soon turns into a very real nightmare...
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/让-马里·斯特劳布
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For Le Genou d'Artemide Jean-Marie Straub once again chose a dialogue by Cesare Pavese. And not just any dialogue, but one that tears open a painful, mystical abyss between love and the one left behind. The film is one single exhilaration and one single rush, a spell and dispersion into nature. It rises from a dark screen and chant to disappear in the woods with the whisper of the wind. It has little to do with what is generally called «cinema». It has one foot in the world beyond. Nature has ten million times the imagination of the most imaginative of artists. (Jean-Marie Straub)
导演：
/Huan Vu
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Arkham, 1975: Jonathan Davis' father has disappeared. His tracks lead to Germany, to the Swabian-Franconian Forest where he was stationed after the Second World War. Jonathan sets out to find him and bring him home, but deep in the woods he discovers a dark mystery from the past. Based on H.P. Lovecraft's short novel "The Colour Out of Space". brutashell review - 'Filmed in black and white and primarily spoken in German, it is obvious that Die Farbe did not have a huge budget to work with. Effects are minimal and the cast is utterly unknown. I should point out that these are all good things, and work very much in the film's favour. There is no CGI to rely on, no name actors to carry it. Rather, the filmmakers do the unthinkable: they create a genuine atmosphere of unimaginable dread and unspeakable horror, using shadow, suggestion and rare splashes of that Nameless colour in a few select frames. In short, they did a damn good job. Die Farbe is subtle in its mounting horror, nurturing a dark dread deep in your bowels with every shot. All of the best and most stomach-turningly distressing films I’ve ever seen have come out of Germany: M, The Cabinet Of Dr. Caligari, The White Ribbon, and now this one. Leave it to the Germans. We know how to gross you out on the deepest psychological levels. Lovecraft worshippers and devotees of German Expressionism alike, take heed: seek out and view this film at your earliest possible convenience. It’s a dark, noisome little gem that will squirm into your subconscious and lay its eggs in your sanity. Hey, not everyone gets the honour of being a host organism for the Elder Gods, you know.'
导演：
/让-吕克·戈达尔
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这部影片被形容为一部“三个乐章的交响乐”，片中集合了几位有着不同国家、种族背景的角色。影片的故事发生在一艘地中海豪华邮轮上，游轮行经六处著名的欧洲神话故事遗址，其中包括埃及、巴勒斯坦、希腊、敖德萨、那不勒斯、巴塞罗那。来自世界各地不同文化背景、说着不同语言的乘客在这里相遇。主要角色包括一位来自莫斯科警察局的探长，一名出身背景不详、由孙女陪同的老战犯，一名上了年纪的法国警察，一位巴勒斯坦大使，一位前联合国女官员，一名间谍，以及法国哲学家阿兰·巴丢和美国“朋克教母”帕蒂·史密斯。
导演：
/Riccardo Antonaroli
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Scared of life and lacking the courage to be himself, Ludovico lives hidden away in his grandmother's old apartment. One night, the wickedness of the world goes to visit him in the form of Jack, a boy who is Ludovico's age but has the opposite character: hard, determined, perhaps criminal. The forced cohabitation of two human beings who couldn't seem more different from one another turns into an initiation rite to adulthood, the discovery of their true and respective personalities. And when the harsh reality that is mercilessly stalking them appears to present the bill, they will have to face it, bolstered by a new awareness and unhoped-for courage.
导演：
/Luigi Vanzi
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Taking the identity of a dead postal inspector found on the trail, a stranger rides into a small western town and finds himself in the middle of a stagecoach robbery perpetrated by a gang of twenty ruthless desperados. Finding out the object of the heist was not a strongbox as it seemed but a solid gold stagecoach, he enlists the aid of a down-and-out old preacher and tracks down the dangerous gang and their unsuspected ally.
导演：
/艾伦·帕克
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故事发生在1964年的6月，一辆载有三位民权主义者的车辆被三K党所劫持，之后一行人音信全无。鲁帕特（吉恩·哈克曼 Gene Hackman 饰）和艾伦（威廉·达福 Willem Dafoe 饰）是两帮调查局的探员，他们被指派调查这起恶劣的事件，然而，当两人到达小镇开始调查时，却发现他们的工作遭遇了重重的困难，没有人愿意相信他们，更没有人能够提供有价值的线索。 皮尔（布拉德·道里夫 Brad Dourif 饰）是小镇的副镇长，同时亦是一名坚定的三K党成员，个性粗暴邪恶的他常常将软弱温和的妻子（弗兰西斯·麦克多蒙德 Frances McDormand 饰）揍得遍体鳞伤。鲁帕特十分同情皮尔妻子的遭遇，随着时间的推移，皮尔的妻子渐渐对鲁帕特产生了感情，这让鲁帕特和艾伦看到了案件的突破口。
导演：
/马塞尔·莱尔比埃
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19世纪，描写美与丑的文学作品风靡一时。“美”之古怪亮丽，有供人欢愉的脱衣舞会所，有病势严重的私生子，有麻木不仁的上层人士，有父亲之命的婚姻，还有未遂企图的凌辱糟蹋，以及其他。“美”之感情丰富，既有美丽者如真爱，也有残酷者如恐惧与恨。被身处社会上层的爱人无情抛弃之后，可 怜的女人为了支付儿子的医药费，无奈旋舞于众人之前，卖弄色相。受迫于父亲之命，心早有所属的姑娘不得不面对即将于一位年逾古稀者结为夫妻的残酷现实。 摄于1921年，法国马塞尔·莱皮埃导演，片头字幕中特别注明：这是一出“闹剧”，表达了莱皮埃对汤玛斯·英斯那种平凡的轶事式的题材的轻视，他以标新立异的形式讲述了西班牙舞女西比拉的悲剧命运。莱皮埃从法国的印象派画家和美国的格里菲斯以及瑞典的斯约斯特约姆的艺术成果中吸取营养，把特技作为重要的电影表现手段。影片中精练而完美的摄影技巧，使西班牙的户外风景和室内布景协调一致，并对剧情发展到起重要作用。影片还探讨了艺术技巧抒发激情的方法。
导演：
/Marc Levin
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Slam，大致可以翻译成“诗喃”，对大多数人来说或许是一个陌生的名词。这是一场艺术运动，起源于1986年，美国诗人Marc Smith希望能让诗从精英主义的高阁走下来，让诗歌的阅读更普及并且更加有趣，诗喃由此诞生。诗喃创作者不需要考虑统一的格律，只需要根据自己对生活的观察和感悟用他们喜欢的文字和风格表达出来，这一种超越，让诗喃本身承载着自由、开放、平等、分享的意味。 如何进入这个自由狂放又诗意的世界？导演Marc Levin在《Slam》这部作品中，从黑人街头文化、帮派文化、说唱文化（注：诗喃不是说唱，而是比说唱更自由的形式），进行切入，讲述了一个通过自我思考和自由表达，最终达至自我发现、自我救赎的故事。通过镜头，我们将与男主人公一起，走过黑人街区、监狱、城市街头、诗喃大会，在命运面前求索，一步步走近生活与内心的真实，并以此为源，化为蓬勃而真挚的诗喃。 诗喃的表演形式非常纯粹，没有服饰、没有布景、没有音乐，整个过程仅靠诗喃者的声音与肢体语言进行表达。舞台、诗喃者、观众三个元素即构成了这个简单、自由、原生的场域，乃至于，当诗喃的精神深入骨髓，连日常的对话，都可以化律动的诗喃，绽放出语言美妙的流动性。而随着影片的深入，相信你会在最后的演绎中，感受到诗喃者的自我挖掘诚挚脆弱如赤裸婴儿，诗喃者的情感澎湃汹涌野生如荒岛巨浪。那是简单如一、一即是全的彻底的生命表达。
导演：
/费德里科·费里尼
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由于生活所迫，母亲把女孩杰索米娜（茱莉艾塔·玛西娜 Giulietta Masina 饰）卖给了江湖艺人藏巴诺（安东尼·奎恩 Anthony Quinn 饰）。在相处中，女孩却发现这个空有一身蛮力的家伙，根本不懂得照顾女人，他买她只是为了让她做牛做马，在他演出的时候扮演小丑，平时给他做饭，陪他睡觉。这种粗暴蛮横的家伙，让她萌生逃离的念头，然而，几次出逃，均告失败。 在一次观看高空走钢丝表演的时候，杰索米娜认识了绰号“傻瓜”的马戏团艺人——玛托（理查德·贝斯哈特 Richard Basehart 饰演），并且在他的引导下学会了演奏乐器。她非常感激，对这个男人产生了依恋。然而，但是藏巴诺的出现，再次打破了她的一切幻想，毁掉了来之不易的幸福……
导演：
/Philip Stevens
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England 1555. An isolated group of salt farmers arrange illegal passage to Europe for an Indian Gypsy family in hiding. But a love affair between Patience, a mute English girl, and Rumi, the son of the Egyptians, threatens to destroy both communities.
